Sunday 7 November 2010

Burke and Hare


Burke and Hare
Director: John Landis
Starring: Simon Pegg, Andy Serkis, Jessica Hynes
Runtime: 91 minutes
Rating: ***


John Landis is perhaps best known for formidable cult classics The Blues Brothers, and An American Werewolf in London, as well as a stream of commercial movies in the seventies and eighties. Burke and Hare, however, is the first film he has directed in twelve years. He seems to have gotten a little rusty . . .

Burke and Hare (Simon Pegg and Andy Serkis respectively) are a pair of penniless Irish opportunists looking to get rich quick in Victorian Edinburgh. After their initial venture fails (selling mould to the naive by claiming it has omnipotent healing properties!?), the duo resort to less respectable (and less legal) means of procuring an income. The twosome realise there is a gap in the market selling corpses to professors for use in medical experiments, but they soon find themselves faced with a dilemma. Where to get the corpses from? Pegg and Serkis rapidly win themselves a small fortune murdering those unfortunate enough to cross paths with them. However, the pair’s success is short-lived as suspicion begins to grow in the city.

Pegg and Serkis star alongside a host of British stars including Bill Bailey, Stephen Merchant, and an aging Ronnie Corbett in this blacker than black comedy. The slapstick Laurel and Hardy-esque humour of the film combines itself with a graphic violence, which ultimately manifests itself in an unsettling dark humour. Although this violent, deadpan humour is in many places effective, the film always feels somewhat awkward, in that it threatens to overstep the mark of what seems acceptable. Part of me, for instance, still cannot decide whether making the viewer sit through the four minute ‘burking’ (forcible asphyxiation) of an elderly woman is just a bit too much? Needless to say, this is not a comedy for the faint-hearted. Saying this though, where the comedy can be dubious, the script is for the most part punchy and well written. The playful relationship between Pegg and Serkis is often a pleasure to watch. It is only during the final thirty minutes that one can’t help feeling that (not just the script), but the denouement lets the viewer down, playing itself out with the type of cliché that has long come to be expected of Hollywood.

It seems that Burke and Hare is a movie which relies a little too much on its big names rather than its actual content. There is no doubt that the inclusion of Simon Pegg alone will bring many to the cinemas. Although his performance is really very good and the set-pieces of a bustling Victorian Edinburgh are truly impressive, the film lacks a general cohesiveness which makes it seem somewhat rushed and incomplete. I can’t help thinking that the tagline to the movie seems coincidentally appropriate: “They’re making a killing”. No doubt they are in the box office but those expecting the next Shaun of the Dead, or Hot Fuzz should be warned. Despite being rife with cliche Burke and Hare is overall an enjoyable watch, as long as you are content not to expect too much from it.

Post-October Catch-up!

Hey guys!

I've been absent from this blog for far too long. I really mean that. It's been a ridiculous amount of time. Since coming back to university this has become somewhat a secondary.... okay maybe tertiary concern (as it always threatens to). It is only in the last week that an internet connection has actually been established in my house! It's great. And means that unlike last year, I have no reason NOT to be blogging regularly.

In an attempt to make a final leap into student societies (almost too late), I ran for Nouse film editor with my friend Michael. Nouse, for those who don't know is the university's student run newspaper. So I'll also be writing regular film reviews and features. Oh, I also get my own web based blog on the site to review/rant about surreal, weird, underground films. I'm pretty damn excited about that. Anyway, all of my posts for Nouse will eventually be fed through here anyway, so as to make a secondary 'catalogue' of my writing!

Adieu!

p.s. my author page (with very little on it at the moment)
https://www.nouse.co.uk/author/gareth-davies/

Saturday 6 November 2010

Idi I Smotri (Come and See) 1985

Critically acclaimed upon its release, and clocking over 25 million admissions in the Soviet Union alone, is Come and See, the tale of a child soldier, Florya, and his fight for survival in Nazi occupied Belarus. Despite its formidable success at the box office, Come and See is a film which has managed to glide under the radar into relative obscurity. It has, however gained a strong cult following, and for good reasons. Finding that his village and home has been raided, and all its inhabitants, including his family murdered, the young Florya finds himself alone in a desperate struggle for survival. As we follow Florya through war-stricken Belarus we bear witness, on the one hand, to the systematic genocidal activities of the Nazi troops, and on the other, to the misery of displaced communities of starving, homeless, Belarusian civilians. A distressing mask of anguish begins to replace Florya’s once pure and youthful visage. His innocence is stripped from him, revealing to the child a grim and premature knowledge of the horrors of war. Whilst with each successive scene of misery and terror, we share in this knowledge, and our senses are assaulted. Any fleeting glimpses of hope given to the viewer are quickly stolen away from us, presenting a view of war which is unflinching, shocking, traumatic. Horrific as it may be though, the film exudes an eerie and indefinable beauty. Klimov creates an emotional landscape which leaves the viewer so wrought with tension and sorrow that its climax becomes dizzying and euphoric in its intensity. Filmed using live ammunition, and portraying Nazi war crimes with graphic brutality, this film is not for the faint hearted, but those daring enough to sit through it will certainly reap the rewards, being presented with a depiction of war “as Hollywood could never portray it”.

http://www.nouse.co.uk/2010/10/27/come-and-see-1985/